Oranges and lemons, say the Bells of St. Clement's – Eau de Parfum

Heeley - Oranges and Lemons, say the Bells of St. Clement's - Eau de Parfum

"Oranges and Lemons, say the Bells of St. Clement's" by Heeley presents a modern take on the classic Cologne, infused with contemporary flair. However, it also pays homage to the traditional London nursery rhyme of the same name, which resonates with the bells of St. Clement Danes Church, adding layers of cultural significance. This fragrance's connection to London's heritage is profound, evoking the city's storied past and cultural tapestry. The citrusy notes of oranges and lemons mirror the fruity essence of the nursery rhyme, invoking sunny days and nostalgic memories of childhood.

At the forefront, vibrant oranges, lemons, bergamot and tangerines create a refreshing burst reminiscent of bright, cheerful mornings. The heart notes introduce a floral elegance with neroli and petitgrain, complemented by subtle hints of Earl Gray tea and ylang-ylang, adding sophistication and allure. In the base, vetiver lends an earthy, smoky undertone, contributing to the fragrance's depth and longevity. Together, these elements craft a timeless and refined Eau de Parfum that not only tantalizes the senses but also celebrates London's vibrant culture. 

The original poem reads: "Oranges and lemons", say the bells of St. Clement's “You owe me five farthings,” say the bells of St. Martin’s "When will you pay me?" say the bells of Old Bailey "When I grow rich", say the bells of Shoreditch "When will that be?" say the bells of Stepney "I do not know," says the great bell of Bow Here comes a candle to light you to bed And here comes a chopper to chop off your head! Chip chop chip chop – The last man's dead.

It's worth delving into the historical context of this nursery rhyme to uncover its deeper implications. Despite its innocent facade, the rhyme reflects significant social and legal issues of its era.  The exchanges between creditors and debtors, alongside references to locales like Stepney, Bow and Shoreditch, shed light on the harsh realities of poverty in London's East End. Mentioning institutions like the Royal Court of London and the Old Bailey underscores the severe legal repercussions individuals encountered for unpaid debts.

References to St. Clement Danes and St. Martin-in-the-Fields underscore the vital role of churches as sanctuaries for the impoverished and homeless. This nursery rhyme, initially appearing innocuous, provides a nuanced glimpse into the socio-legal landscape of the 18th century.

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